Symbolism of Dharma Shaasta (Sabarimala)

Customarily, Dharma Shaasta is shown with two consorts, namely Poorna and Pushkala. These names translate to “Completeness” and “Prosperity”, and are allusions to the two paths – Jnaana and Bhakti, through which one reaches the Absolute as Self-Realization. Rather than the two consorts, these signify the two halves of the Lord itself, within the pure […]



Customarily, Dharma Shaasta is shown with two consorts, namely Poorna and Pushkala. These names translate to “Completeness” and “Prosperity”, and are allusions to the two paths – Jnaana and Bhakti, through which one reaches the Absolute as Self-Realization.

Rather than the two consorts, these signify the two halves of the Lord itself, within the pure Yogic posture and assign one sees at Sabarimala.

The Lord is considered in a special Yogic posture, in most cases additionally considered in Lord Narasimha, Dakshinamurthi or Aanjaneya. Here, the Lord is seated correct, with His legs bent and both ankles touching the Mooladhara or root Chakra. The erectness of the posture lets in free float of Kundalini Shakti or the Existence drive through the seven Chakras. It is miles humanly refined to elevate this form of posture for long duration, and to prevent the legs from straying away, the Lord has a band (Yoga Pattai) tying his legs with the relieve.

Thus, Chin-Mudra, or the gesture of focus, consciousness and actuality is the righteous and final teaching of Self-Realization. One sees this staunch linked Mudra within the accomplish of Dakshinamurthi. Thus, the righteous half of of Dharma Shaasta highlights the teacher or Shaasta Aspect, and right here is precisely Poorna Devi – completeness of files, records and working out of actuality.

The left hand of the Lord rests on His leg, pointing against His toes. In all seated forms of Ayyappan, one will positively look the left leg lifted up, no matter whether the righteous leg is lifted up (as in Yoga Asana accomplish in Sabarimala) or hangs down (as in Veera Asana kinds in varied temples). Thus, reckoning on the head of the statue, when the devotee stands or sits earlier than the Lord, he’ll gain the Lord's raised toes at the stage of the center. This, and the Lord pointing to His toes, is His message to negate His toes firmly within the center (Hrudkamalam). The Lord as Krishna or Narayana says the identical within the Bhagawad Gita – “Maam Ekam Sharanam Vraja”.

Having the Lord's toes within the center and repeatedly bearing in mind on Him is the cultivation of Bhakti or Divine Address, and right here is additionally the absolute most practical manner to domesticate Sattva Guna, precise conduct and Dharma, and within the rupture reach the Lord. Thus, the left half of of Dharma Shaasta highlights the righteousness or Bhakti or Dharma Aspect, and right here is precisely Pushkala Devi.

Thus, the two consorts, or somewhat the two halves of the Lord signify the thought that of Dharma-Shaasta with predominance of Narayana and Shankara aspects respectively.

2020pro-20
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